Storace: Selva di varie composizioni d'intavolatura per cimbalo et organo, Venezia 1664
Bernardo Storace
Storace: Selva di varie composizioni d'intavolatura per cimbalo et organo, Venezia 1664
The figure and work of Bernardo Storace are particularly fascinating because of the aura of mystery which surrounding both.
The only information we have on this remarkable composer for keyboard instruments is printed on the frontispiece of his one known work, the “Selva di varie compositioni d’intavolatura per cimbalo ed organo by Bernardo Storace vice Chapel Master of the Illustrious Senate of the Noble and Exemplary City of Messina”. The continuous earthquakes that afflicted Messina right up to the beginning of the twentieth century destroyed any existing evidence of Storace and his works.
The one example of the Selva, which has fortunately survived, was printed in 1664 in Venice, then a very important printing centre, but is without the editor’s name or a dedication.
This vast florilegium is made up of a wide range of variations based on nearly all the popular themes of that time, as well as two courantes, two toccatas and canzonas, two ricercari and a pastorale.
Francesco Cera, renowned early music specialist, here uses three different historical instruments: organ, harpsichord and spinetta, for a refined and competent performance, supported by Fabio Tricomi at the percussions.
Tracklist
Storace, Bernardo
Passagagli sopra A la mi re
Follia
Capriccio sopra Ruggiero
Aria sopra la Spagnoletta
Passagagli sopra C sol fa ut per b
Monica
Partite sopra Il cinque Passi
Passo e mezzo
Romanesca
Capriccio sopra il passo e mezzo
Altro passo e mezzo
Storace, Bernardo
Ciaccona
Balletto
Ballo della Battaglia
Corrente
Passagagli sopra D sol re
Pastorale
Toccata and Canzon
Passagagli sopra Fe fa ut per b
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