La Prima Diva

Pietro Torri , Antonio Caldara , Domenico Sarro , Giovanni Bononcini , Georg Friedrich Haendel , Johann Adolf Hasse

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AUTHOR Pietro Torri (1650-1737), Antonio Caldara (1670-1736), Domenico Sarro (1679-1744), Giovanni Bononcini (1670-1747), Georg Friedrich Haendel (1685-1759), Johann Adolf Hasse (1699-1783)
HISTORICAL PERIOD Late Baroque
PERFORMERS Agata Bienkowska
CODE TC670003
BARCODE 8007194105803
GENRE Opera
SET 1 CD CD
RELEASE DATE May 2014
LYRICS La Prima Diva (PDF)

La Prima Diva

Faustina Bordoni, from Venice, was one of the most acclaimed celebrities in the forerunner of a star system that appeared in the world of Italian opera and thrilled the whole of Europe during the eighteenth century. She was one of the great voices of bel canto, had a marvellous dramatic talent, and passed through the first half of the century as a protagonist, leaving a memorable echo of her passage. Her career was protracted from 1716 to 1751, so she intercepted most of the composers of two or three generations, in the major opera centres of Europe: Venice, Naples, Vienna, London and Dresden. The forceful, fascinating personality of this singer (who was born in Venice on 30 March 1697 and died there, in her eighties, on 4 November 1781) filled the musical chronicles with astonishment for decades, and inspired the striking of medals and the writing of laudatory sonnets, obscene verse and satirical pamphlets. As late as the nineteenth century she was the inspiration of a novel by Elise Polko (Faustina Hasse. Musikalischer Roman, Leipzig, 1860), and to this day she still communicates with us, rather than in historical reconstructions, through at least two media. On the one hand, we can see her in etchings, caricatures, medals and no less than three portraits by Rosalba Carriera, at the museum of Ca’ Rezzonico and at the Gemäldegalerie Alte Meister of Dresden. The earliest of the Dresden portraits, made in 1724/25, shows Faustina with her dress mischievously uncovering one of her breasts and a musical score in her hand, about to lavish the enchantment of her voice. The other, undoubtedly more moving, memory of the immortality of her art is the music composed for her by the opera composers with whom she worked. Reviving these pieces, which are no longer performed in our time, means re-examining the vocal profile of a protagonist – therefore also, to a certain extent a co-author – of eighteenth-century musical drama.

Tracklist

10 tracks
52:01
Disc 1

Sarro, Domenico Natale

Didone abbandonata

Tr. 1
Barockwerk Hamburg; Hochman, Ira; Hochman, Ira
Sarro, Domenico Natale
ITD551058001
00:04:34

Torri, Pietro

Griselda

Tr. 2
Barockwerk Hamburg; Bienkowska, Agata; Hochman, Ira; Hochman, Ira
Torri, Pietro
ITD551058002
00:04:02

Caldara, Antonio

Il Venceslao

Tr. 3
Barockwerk Hamburg; Bienkowska, Agata; Hochman, Ira; Hochman, Ira
Caldara, Antonio
ITD551058003
00:06:58

Sarro, Domenico Natale

Astianatte

Tr. 4
Barockwerk Hamburg; Hochman, Ira; Hochman, Ira
Sarro, Domenico Natale
ITD551058004
00:05:08

La Partenope

Tr. 5
Barockwerk Hamburg; Bienkowska, Agata; Hochman, Ira; Hochman, Ira
Sarro, Domenico Natale
ITD551058005
00:05:17
Tr. 6
Barockwerk Hamburg; Bienkowska, Agata; Hochman, Ira; Hochman, Ira
Sarro, Domenico Natale
ITD551058006
00:04:36

Bononcini, Giovanni

Griselda: Overture

Tr. 7
Barockwerk Hamburg; Hochman, Ira; Hochman, Ira
Bononcini, Giovanni
ITD551058007
00:02:54

Handel, George Frideric

Alessandro, HWV 21

Tr. 8
Barockwerk Hamburg; Bienkowska, Agata; Hochman, Ira; Hochman, Ira
Handel, George Frideric
ITD551058008
00:08:04

Hasse, Johann Adolf

Viriate

Tr. 9
Barockwerk Hamburg; Bienkowska, Agata; Hochman, Ira; Hochman, Ira
Hasse, Johann Adolf
ITD551058009
00:04:43

Ciro riconosciuto

Tr. 10
Barockwerk Hamburg; Bienkowska, Agata; Hochman, Ira; Hochman, Ira
Hasse, Johann Adolf
ITD551058010
00:05:50

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