{"id":1468,"date":"2008-01-04T12:00:00","date_gmt":"2008-01-04T11:00:00","guid":{"rendered":"https:\/\/www.tactus.it\/tc570001-heinrich-scheidemann-1596-1663-anthoni-van-noordt-1620-1675-jan-pieterszoon-sweelinck-1562-1621-anonimous-the-netherlands-17th-ctury-the-ahrd-brunzema-organ-of-the-amsterdams-oude-kerk"},"modified":"2025-09-12T12:53:27","modified_gmt":"2025-09-12T10:53:27","slug":"tc570001-heinrich-scheidemann-1596-1663-anthoni-van-noordt-1620-1675-jan-pieterszoon-sweelinck-1562-1621-anonimous-the-netherlands-17th-century-the-ahrend-brunzema-organ-of-the-amsterdams-oude-kerk","status":"publish","type":"post","link":"https:\/\/www.tactus.it\/en\/tc570001-heinrich-scheidemann-1596-1663-anthoni-van-noordt-1620-1675-jan-pieterszoon-sweelinck-1562-1621-anonimous-the-netherlands-17th-century-the-ahrend-brunzema-organ-of-the-amsterdams-oude-kerk\/","title":{"rendered":"The Ahrend &#038; Brunzema Organ of the Amsterdam\u2019s Oude Kerk"},"content":{"rendered":"<p>The connections between the Netherlands and Italy are most easily illustrated.<br \/>\nDutch musicians had a long tradtion of travel to the south, and during the whole seventeenth century the latest editions from Venice or Bologna would readily be available in Amsterdam.<br \/>\nAnd, if only during the few decades of Sweelinck\u2019s teaching, it was throguh Amsterdam that the german organ school received decisive influences from the south.<br \/>\nThe present CD can be seen in the light of these relations between north and south.<br \/>\nThe music is writeen by composers from the north, who were all influenced by the south.<br \/>\nBut the interplay of lines is more complex, and more interesting than that.<br \/>\nWe hear Gustav Leonhardt, a mature master who, he himself a Dutchman, was one of the first in Europe to rediscover the music of Frescobaldi and his contemporaries.<br \/>\nNext to him plays Matteo Imbruno, a young Italian, who was attracted to the Netherlands at a very early age and to that very Dutch profession of organist.<br \/>\nThe organ they play is an important reconstruction of a historic organ, itself the product of the mature Dutch school of organ building, in which many European lines converge.<br \/>\nThe music of this recording centers around Jan Pieterszoon Sweelinck, his pupils, and the Oude Kerk, the church where Sweelinck played for more than forty years.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The connections between the Netherlands and Italy are most easily illustrated. Dutch musicians had a long tradtion of travel to the south, and during the whole seventeenth century the latest editions from Venice or Bologna would readily be available in Amsterdam. And, if only during the few decades of Sweelinck\u2019s teaching, it was throguh Amsterdam [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":1470,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-1468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umanesimo-rinascimento"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Ahrend &amp; Brunzema Organ of the Amsterdam\u2019s Oude Kerk - Tactus Records<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tactus.it\/en\/tc570001-heinrich-scheidemann-1596-1663-anthoni-van-noordt-1620-1675-jan-pieterszoon-sweelinck-1562-1621-anonimous-the-netherlands-17th-century-the-ahrend-brunzema-organ-of-the-amsterdams-oude-kerk\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Ahrend &amp; Brunzema Organ of the Amsterdam\u2019s Oude Kerk - Tactus Records\" \/>\n<meta property=\"og:description\" content=\"The connections between the Netherlands and Italy are most easily illustrated. Dutch musicians had a long tradtion of travel to the south, and during the whole seventeenth century the latest editions from Venice or Bologna would readily be available in Amsterdam. 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