The eighth volume of Bossi\u2019s Omnia for organ contains some extraordinary sound documents, in keeping with Tactus\u2019s publishing policy of using only instruments from the period in which the composer lived, and if possible instruments used by him.
\nThe first organ is the one made in 1920 by Giovanni Tamburini from Crema for the Chiesa dei Servi in Rimini: Bossi performed on it in August 1924, shortly before sailing for his triumphal American tour.
\nThrough the remarkably mellow, fascinating timbre resources of the Tamburini organ, pieces composed by Bossi between 1908 and 1924 are brought back to life, in a perfect temporal position with respect to the organ\u2019s dating.
\nFor the Solo di Clarinetto [1920] and the archaic-sounding Aria da chiesa [1908], we have chosen the Vincenzo Mascioni organ (1901) in the church of Lenno (Como): it has a particularly beautiful clarinet register.
\nThe programme is completed by Bossi\u2019s pieces for two organs, which bear witness to the survival of the ancient custom of creating a dialogue between the two instruments.
\nThe colossal Fantasia [1889] and the Entrata pontificale [1890] have been recorded by Andrea Macinanti and Francesco Tasini on the Franz Zanin organs of the Church of the Carmine in Imola.<\/p>\n","protected":false},"excerpt":{"rendered":"
The eighth volume of Bossi\u2019s Omnia for organ contains some extraordinary sound documents, in keeping with Tactus\u2019s publishing policy of using only instruments from the period in which the composer lived, and if possible instruments used by him. The first organ is the one made in 1920 by Giovanni Tamburini from Crema for the Chiesa […]<\/p>\n","protected":false},"author":5,"featured_media":3233,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-3231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-romanticism"],"yoast_head":"\n