{"id":4170,"date":"2012-10-01T12:00:00","date_gmt":"2012-10-01T11:00:00","guid":{"rendered":"https:\/\/tactus.it\/tc970302-paolo-cavallone-1975-confini\/"},"modified":"2021-12-11T16:11:16","modified_gmt":"2021-12-11T15:11:16","slug":"tc970302-paolo-cavallone-1975-confini","status":"publish","type":"post","link":"https:\/\/www.tactus.it\/en\/tc970302-paolo-cavallone-1975-confini\/","title":{"rendered":"Confini"},"content":{"rendered":"<p>In the contemporary music scene the figure of PaoloCavallone represents that of a latter-day Renaissance man, with an intimate love for all forms of artand a \u201cmiraculous\u201d vision of the discoveries of complementarity or the revelations of metaphors hidden behind the masterpieces of art.<br \/>\nThis compact disc \u2013 which is the result of a collaboration between Rai Trade and the Robert &#038; Carol Morris Center for 21st Century Music of the State University of New York at Buffalo \u2013 includes pieces recorded in Rome, Buffalo, New York City, Montevarchi (Arezzo), and Casalecchio di Reno (Bologna) and interpreted by such refined performers as Nicholas Isherwood, Magnus Andersson, Roberto Fabbriciani, Lorna Windsor, Tony Arnold, Movses Pogossian, Luca Sanz\u00f2, Jean Kopperud, Stephen Gosling, Catarina Domenici (who performs the title-track), and two chamber music groups:the Farben Ensemble and the June in Buffalo Contemporary Ensemble, conducted by Marco Lena and Christian Baldini, respectively.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the contemporary music scene the figure of PaoloCavallone represents that of a latter-day Renaissance man, with an intimate love for all forms of artand a \u201cmiraculous\u201d vision of the discoveries of complementarity or the revelations of metaphors hidden behind the masterpieces of art. 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