{"id":4594,"date":"2012-10-01T12:00:00","date_gmt":"2012-10-01T11:00:00","guid":{"rendered":"https:\/\/tactus.it\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/"},"modified":"2021-12-11T11:37:03","modified_gmt":"2021-12-11T10:37:03","slug":"tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento","status":"publish","type":"post","link":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/","title":{"rendered":"Petrarca in the music of the early Cinquecento"},"content":{"rendered":"<p>Petrarchism\u201d and the music of the early CinquecentoFrancesco Petrarca (Arezzo 1304-Arqu\u00e0 1374) both knew and practiced music.<br \/>\nIt seems that he possessed a lovely voice and probably also knew how to play some instruments, for in his will he declared that he wished to leave his lute to a certain Maestro Tommaso Bambasio di Ferrara.<br \/>\nIn addition, he was also interested in the effects which music might have on the soul, transmitting, for example, joy, comfort, elevation, but also vain merriment and scant devotion.<br \/>\nDespite the significant presence of music among Petrarch\u2019s interests, however, only one of his poetic texts\u2013the madrigal Non al suo amante pi\u00f9 D\u00efana piacque\u2013was set to music in the fourteenth century (by Jacopo da Bologna), judging at least from those pieces which have come down to us.<br \/>\nThe French musician Guillaume Dufay, who in the fifteenth century provided music for the text Vergine bella, che di sol vestita, also represents an isolated case.<br \/>\nIt was not until the beginning of the sixteenth century that the cultural and literary current known as Petrarchism took hold in the musical world, thanks above all to the works of Pietro Bembo, and in particular to the Canzoniere, edited by Bembo and published by Aldo Manuzio in 1501.<br \/>\nThe Canzoniere became so famous and was so admired that it was considered by poets of the early Cinquecento to be a veritable \u201cmirror of life\u201d.<br \/>\nOwnership of the Petrarchino, an abridged edition of the Canzoniere, was a measure of one\u2019s cultural refinement and noble vision of life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Petrarchism\u201d and the music of the early CinquecentoFrancesco Petrarca (Arezzo 1304-Arqu\u00e0 1374) both knew and practiced music. It seems that he possessed a lovely voice and probably also knew how to play some instruments, for in his will he declared that he wished to leave his lute to a certain Maestro Tommaso Bambasio di Ferrara. [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":4596,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-4594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umanesimo-rinascimento"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Petrarca in the music of the early Cinquecento - Tactus Records<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Petrarca in the music of the early Cinquecento - Tactus Records\" \/>\n<meta property=\"og:description\" content=\"Petrarchism\u201d and the music of the early CinquecentoFrancesco Petrarca (Arezzo 1304-Arqu\u00e0 1374) both knew and practiced music. It seems that he possessed a lovely voice and probably also knew how to play some instruments, for in his will he declared that he wished to leave his lute to a certain Maestro Tommaso Bambasio di Ferrara. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/\" \/>\n<meta property=\"og:site_name\" content=\"Tactus Records\" \/>\n<meta property=\"article:published_time\" content=\"2012-10-01T11:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-12-11T10:37:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.tactus.it\/wp-content\/uploads\/2021\/02\/8007194103397-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1412\" \/>\n\t<meta property=\"og:image:height\" content=\"1437\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"tactus\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"tactus\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/\"},\"author\":{\"name\":\"tactus\",\"@id\":\"https:\\\/\\\/www.tactus.it\\\/#\\\/schema\\\/person\\\/e69b20b9664a783d02a8805dfd156100\"},\"headline\":\"Petrarca in the music of the early Cinquecento\",\"datePublished\":\"2012-10-01T11:00:00+00:00\",\"dateModified\":\"2021-12-11T10:37:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/\"},\"wordCount\":266,\"image\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.tactus.it\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/8007194103397-1.jpg\",\"articleSection\":[\"Umanesimo e Rinascimento\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/\",\"url\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/\",\"name\":\"Petrarca in the music of the early Cinquecento - Tactus Records\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.tactus.it\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/8007194103397-1.jpg\",\"datePublished\":\"2012-10-01T11:00:00+00:00\",\"dateModified\":\"2021-12-11T10:37:03+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/#\\\/schema\\\/person\\\/e69b20b9664a783d02a8805dfd156100\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.tactus.it\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/8007194103397-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.tactus.it\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/8007194103397-1.jpg\",\"width\":1412,\"height\":1437},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Petrarca in the music of the early Cinquecento\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.tactus.it\\\/#website\",\"url\":\"https:\\\/\\\/www.tactus.it\\\/\",\"name\":\"Tactus Records\",\"description\":\"The Italian Classical Music Label\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.tactus.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.tactus.it\\\/#\\\/schema\\\/person\\\/e69b20b9664a783d02a8805dfd156100\",\"name\":\"tactus\",\"sameAs\":[\"https:\\\/\\\/www.tactus.it\"],\"url\":\"https:\\\/\\\/www.tactus.it\\\/en\\\/author\\\/tactus\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Petrarca in the music of the early Cinquecento - Tactus Records","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/","og_locale":"en_US","og_type":"article","og_title":"Petrarca in the music of the early Cinquecento - Tactus Records","og_description":"Petrarchism\u201d and the music of the early CinquecentoFrancesco Petrarca (Arezzo 1304-Arqu\u00e0 1374) both knew and practiced music. It seems that he possessed a lovely voice and probably also knew how to play some instruments, for in his will he declared that he wished to leave his lute to a certain Maestro Tommaso Bambasio di Ferrara. [&hellip;]","og_url":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/","og_site_name":"Tactus Records","article_published_time":"2012-10-01T11:00:00+00:00","article_modified_time":"2021-12-11T10:37:03+00:00","og_image":[{"width":1412,"height":1437,"url":"https:\/\/www.tactus.it\/wp-content\/uploads\/2021\/02\/8007194103397-1.jpg","type":"image\/jpeg"}],"author":"tactus","twitter_card":"summary_large_image","twitter_misc":{"Written by":"tactus","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/#article","isPartOf":{"@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/"},"author":{"name":"tactus","@id":"https:\/\/www.tactus.it\/#\/schema\/person\/e69b20b9664a783d02a8805dfd156100"},"headline":"Petrarca in the music of the early Cinquecento","datePublished":"2012-10-01T11:00:00+00:00","dateModified":"2021-12-11T10:37:03+00:00","mainEntityOfPage":{"@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/"},"wordCount":266,"image":{"@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/#primaryimage"},"thumbnailUrl":"https:\/\/www.tactus.it\/wp-content\/uploads\/2021\/02\/8007194103397-1.jpg","articleSection":["Umanesimo e Rinascimento"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/","url":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/","name":"Petrarca in the music of the early Cinquecento - Tactus Records","isPartOf":{"@id":"https:\/\/www.tactus.it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/#primaryimage"},"image":{"@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/#primaryimage"},"thumbnailUrl":"https:\/\/www.tactus.it\/wp-content\/uploads\/2021\/02\/8007194103397-1.jpg","datePublished":"2012-10-01T11:00:00+00:00","dateModified":"2021-12-11T10:37:03+00:00","author":{"@id":"https:\/\/www.tactus.it\/#\/schema\/person\/e69b20b9664a783d02a8805dfd156100"},"breadcrumb":{"@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/#primaryimage","url":"https:\/\/www.tactus.it\/wp-content\/uploads\/2021\/02\/8007194103397-1.jpg","contentUrl":"https:\/\/www.tactus.it\/wp-content\/uploads\/2021\/02\/8007194103397-1.jpg","width":1412,"height":1437},{"@type":"BreadcrumbList","@id":"https:\/\/www.tactus.it\/en\/tc450001-petrarca-francesco-petrarca-in-the-music-of-the-early-cinquecento\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.tactus.it\/en\/"},{"@type":"ListItem","position":2,"name":"Petrarca in the music of the early Cinquecento"}]},{"@type":"WebSite","@id":"https:\/\/www.tactus.it\/#website","url":"https:\/\/www.tactus.it\/","name":"Tactus Records","description":"The Italian Classical Music Label","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.tactus.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.tactus.it\/#\/schema\/person\/e69b20b9664a783d02a8805dfd156100","name":"tactus","sameAs":["https:\/\/www.tactus.it"],"url":"https:\/\/www.tactus.it\/en\/author\/tactus\/"}]}},"_links":{"self":[{"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/posts\/4594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/comments?post=4594"}],"version-history":[{"count":0,"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/posts\/4594\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/media\/4596"}],"wp:attachment":[{"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/media?parent=4594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/categories?post=4594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tactus.it\/en\/wp-json\/wp\/v2\/tags?post=4594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}