{"id":5292,"date":"2015-01-06T12:00:00","date_gmt":"2015-01-06T11:00:00","guid":{"rendered":"https:\/\/tactus.it\/tc830301-giovanni-caramiello-1838-1938-operatic-fantasias-for-harp-and-piano-and-solo-harp\/"},"modified":"2021-12-11T16:21:06","modified_gmt":"2021-12-11T15:21:06","slug":"tc830301-giovanni-caramiello-1838-1938-operatic-fantasias-for-harp-and-piano-and-solo-harp","status":"publish","type":"post","link":"https:\/\/www.tactus.it\/en\/tc830301-giovanni-caramiello-1838-1938-operatic-fantasias-for-harp-and-piano-and-solo-harp\/","title":{"rendered":"Operatic fantasias for harp and piano and solo harp"},"content":{"rendered":"

The harp and the Kingdom of Naples: an ancient bond that can be traced back to a period much before the introduction of the pedal harp in Italy. A history that was always poised between \u201cpopular\u201d and \u201ccultivated\u201d tradition, between the streets and the theatres, between the churches and the drawing-rooms, and was characterised by a great mutual permeability of two musical worlds that, all too often, are regarded as separate and distinct.
\nGiovanni Caramiello, who was a concert performer, teacher and composer, embodied a synthesis between the two musical worlds that imbued the Neapolitan musical circles.
\nAmong his compositions there were didactic transcriptions of harpsichord pieces, works inspired by the melodies of Gluck, Beethoven and Pergolesi, and fantasias for one or two harps, or for harp and piano, based on themes drawn from Rossini\u2019s Barbiere di Siviglia, Donizetti\u2019s Poliuto, Bellini\u2019s
\nNorma and Sonnambula di Bellini, and Verdi\u2019s Don Carlos, Traviata, La forza del destino, Un ballo in maschera, Aida and Ernani.
\nHe also composed several pieces inspired by popular songs, such as his Rimembranza di Napoli, which contains the themes of Fenesta ca lucive and Santa Lucia, while the collection titled Le serenate del Vesuvio is formed of \u201c6 Popular Melodies transcribed and varied for the Harp in the form of Studies\u201d: Chelle che tu me dice, by Guglielmo Cottrau, Le Stelle della Sera, by Rossi, Fiore de Primavera, by Teodoro Cottrau, Giulia gentil, by Martelli, Bella Cate and Canzone della Pulce, by Ruta.<\/p>\n","protected":false},"excerpt":{"rendered":"

The harp and the Kingdom of Naples: an ancient bond that can be traced back to a period much before the introduction of the pedal harp in Italy. A history that was always poised between \u201cpopular\u201d and \u201ccultivated\u201d tradition, between the streets and the theatres, between the churches and the drawing-rooms, and was characterised by […]<\/p>\n","protected":false},"author":5,"featured_media":5294,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-5292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-romanticism"],"yoast_head":"\nOperatic fantasias for harp and piano and solo harp - Tactus Records<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tactus.it\/en\/tc830301-giovanni-caramiello-1838-1938-operatic-fantasias-for-harp-and-piano-and-solo-harp\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Operatic fantasias for harp and piano and solo harp - Tactus Records\" \/>\n<meta property=\"og:description\" content=\"The harp and the Kingdom of Naples: an ancient bond that can be traced back to a period much before the introduction of the pedal harp in Italy. 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