TACTUS
the Italian Classical Music label
tactus
(medieval Latin masculine noun with meaning of touch, contact)
In Renaissance music, the unit of measurement of time and the relative note figure (generally corresponding to the average beat of the human pulse) constituting the reference point for determining the absolute value of duration of all the musical figures of the notation.
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Organ music in a united, many-sided Italy
Philippe Verdelot (Orange ca 1480 – Firenze ca 1530), Bernardo Storace (Napoli – Messina sec. XVII), Girolamo Frescobaldi (Ferrara 1583 – Roma 1643), Tarquinio Merula (Busseto 1595 – Cremona 1665), Fabrizio Caroso (Sermoneta ca 1530 – ca 1605) Nicolas Lebègue (Laon 1631 – Parigi 1702), JohannPachelbel (Norimberga 1653 – 1706), Giuseppe Verdi (Busseto 1813 – Milano 1901), Padre Davide da Bergamo (Zanica 1791 – Piacenza 1863), Vincenzo Bellini (Catania 1801 – Parigi 1835)
TC860004
The manuscripts for mandolin of the Gimo collection
Giovanni Battista Gervasio (ca. 1725 – ca. 1785) · Emanuele Barbella (1718-1777) · Gioacchino Còcchi (1715?-1804?) · Anonimo (XVIII sec.)
TC710090
Unpublished Art Songs of the 19th Century
Fabio Campana (1819-1882), Stanislao Ronzi (1823-1893), Antonio Samperi (1828-1893), Gaetano Corticelli (1804-1840), Michele Rachelle (sec. xix), Piero Antonio Coppola (1793-1876), Giuseppe Biletta (1810-1894), Federico Vellani (1822-1907), Arturo Quilici (sec. xix), Alessandro Nini (1805-1880), Clito Moderati (1830-1907), Luigi Zamboni (1767-1837)
TC810003
Works for flute and harp
Nino Rota (1911-1979), Guglielmo Bertolotti (1909-1979), Cesare Franchini Tassini (1925-2010), Virgilio Mortari (1902-1993), Adone Zecchi (1904-1995)
TC910005
upcoming releases
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Parthias and Sinphonias for solo Gallichone (ca 1740)
Giuseppe Antonio Brescianello (1690-1757)
TC690203
- Parthias and Sinphonias for solo Gallichone (ca 1740)Giuseppe Antonio Brescianello (1690-1757)TC690203Read more
- Organ music in a united, many-sided ItalyPhilippe Verdelot (Orange ca 1480 – Firenze ca 1530), Bernardo Storace (Napoli – Messina sec. XVII), Girolamo Frescobaldi (Ferrara 1583 – Roma 1643), Tarquinio Merula (Busseto 1595 – Cremona 1665), Fabrizio Caroso (Sermoneta ca 1530 – ca 1605) Nicolas Lebègue (Laon 1631 – Parigi 1702), JohannPachelbel (Norimberga 1653 – 1706), Giuseppe Verdi (Busseto 1813 – Milano 1901), Padre Davide da Bergamo (Zanica 1791 – Piacenza 1863), Vincenzo Bellini (Catania 1801 – Parigi 1835)TC860004Read more
- The manuscripts for mandolin of the Gimo collectionGiovanni Battista Gervasio (ca. 1725 – ca. 1785) · Emanuele Barbella (1718-1777) · Gioacchino Còcchi (1715?-1804?) · Anonimo (XVIII sec.)TC710090Read more
- Unpublished Art Songs of the 19th CenturyFabio Campana (1819-1882), Stanislao Ronzi (1823-1893), Antonio Samperi (1828-1893), Gaetano Corticelli (1804-1840), Michele Rachelle (sec. xix), Piero Antonio Coppola (1793-1876), Giuseppe Biletta (1810-1894), Federico Vellani (1822-1907), Arturo Quilici (sec. xix), Alessandro Nini (1805-1880), Clito Moderati (1830-1907), Luigi Zamboni (1767-1837)TC810003Read more
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TACTUS WHITE SERIES
must have
Selva di varie composizioni d’intavolatura per cimbalo et organo, Venezia 1664
Bernardo Storace (XVII sec.)
TB 601990
Sinfonie di Concerto Grosso · Works for flute and continuo
Alessandro Scarlatti (1660-1725)
TB 661990
Chamber Cantatas · Il lamento d’Olimpia
Alessandro Scarlatti (1660-1725), Giovanni Bononcini (1670-1747)
TB 660003